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Beyond Our Control?: Confronting the Limits of Our Legal System in the Age of Cyberspace by Stuart Biegel,

Beyond Our Control?: Confronting the Limits of Our Legal System in the Age of Cyberspace by Stuart Biegel,
This book provides a framework for thinking about the law and cyberspace, examining the extent to which the Internet is currently under control and the extent to which it can or should be controlled. It focuses in part on the proliferation of MP3 file sharing, a practice made possible by the development of a file format that enables users to store large audio files with near-CD sound quality on a computer. By 1998, software available for free on the Web enabled users to copy existing digital files from CDs. Later technologies such as Napster and Gnutella allowed users to exchange MP3 files in cyberspace without having to post anything online. This ability of online users to download free music caused an uproar among music executives and many musicians, as well as a range of much-discussed legal action.Regulation strategies identified and discussed include legislation, policy changes, administrative agency activity, international cooperation, architectural changes, private ordering, and self-regulation. The book also applies major regulatory models to some of the most volatile Internet issues, including cyber-security, consumer fraud, free speech rights, intellectual property rights, and file-sharing programs.



Beyond Our Control?: Confronting the Limits of the American Legal System in the Age of Cyberspace by Stuart Biegel,
Beyond Our Control?: Confronting the Limits of the American Legal System in the Age of Cyberspace by Stuart Biegel,
This book provides a framework for thinking about the law and cyberspace, examining the extent to which the Internet is currently under control and the extent to which it can or should be controlled. It focuses in part on the proliferation of MP3 file sharing, a practice made possible by the development of a file format that enables users to store large audio files with near-CD sound quality on a computer. By 1998, software available for free on the Web enabled users to copy existing digital files from CDs. Later technologies such as Napster and Gnutella allowed users to exchange MP3 files in cyberspace without having to post anything online. This ability of online users to download free music caused an uproar among music executives and many musicians, as well as a range of much-discussed legal action.Regulation strategies identified and discussed include legislation, policy changes, administrative agency activity, international cooperation, architectural changes, private ordering, and self-regulation. The book also applies major regulatory models to some of the most volatile Internet issues, including cyber-security, consumer fraud, free speech rights, intellectual property rights, and file-sharing programs.



Streamload - Streamload is an online file hosting service that enables individuals to enjoy their personal digital videos, digital music, digital photos, and files from anywhere and share them with any person or device. Users of the online subscription service can sign up for a free account which allows them to store up to 10 GB of their personal digital media in a secure online storage account and download to their Internet-connected devices or share up to 100 MB of their personal ...

Digital download - A digital download (also known as a digital single or a paid digital download) is an official legally released music single released by artists to the public. Popular legal online music store that sell digital singles and albums include Apple's iTunes and Napster

Espew - eSpew is a free online music download service founded by Eric Stubbs, a Purdue University computer engineering student. eSpew was a pioneer for the mp3 web search, and maintains that it was the largest directly linked mp3 database in the world while the site remained open.

Open Music Model - The Open Music Model is an economic and technological framework for the recording industry proposed in 2003, which suggests that the only viable system for distributing music online is through a DRM-free peer-to-peer file sharing system. It is based on earlier research conducted at the Massachusetts Institute of Technology.



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